Just Like You – Nick Hornby, 2020

Second Monday selection. I always enjoy Hornby but didn’t find this as good or as believable as his usual standard. Just one word I learned, mandem, and a few short quotes:

  • “Cooking kept the evening away from the afternoon—it was a punctuation mark, stopping the long sentence of the day from tripping over itself and becoming garbled.”
  • On an unpromising blind date, “you could provide uninformed and unasked-for opinion, and you could be as nosy as you wanted.”
  • “He was very interested in feathering caps, and he didn’t mind which bird the feathers had fallen off.”
  • “He’d cross that bridge if the bridge ever got built. There wasn’t even anything for the bridge to go over yet.”
  • What the protagonist learns about the lute watching the movie Heartstrings – “who knew … that, if you listened to the lugubrious sound of the lute for nearly two hours, you wanted to gather up every lute in the country and burn them on a gigantic bonfire?”
  • “maybe there was no future in it, but there was a present, and that’s what life consists of”

Flights – Olga Tokaruczuk, 2007 (tr. Jennifer Croft)

An interesting and weird read for the Second Monday book group – I enjoyed the theme of biological specimens.

In this book I learned

  • Makes me want to read some Emil Cioran
  • I’ve heard of the Ghent Altarpiece but didn’t know it’s also called Adoration of the Mystic Lamb, and I hadn’t looked at it closely before
  • Sarira relics

Short quotes

  • The protagonist says she can’t put down roots: “I am the anti-Antaeus. My energy derives from movement – from the shuddering of buses, the rumble of planes, trains’ and ferries’ rocking.”
  • Interesting pity for native English speakers: “How lost they must feel in the world, where all instructions, all the lyrics of all the stupidest possible songs, all the menus, all the excruciating pamphlets and brochures—even the buttons in the lift!—are in their private language. They may be understood by anyone at any moment, whenever they open their mouths.”
  • “I am certain that we cannot recognize the fate grooved into the other side of life for us by the divine Engravers. They must appear to us only once they’ve taken a form intelligible to mankind, in black and white. God writes with his left hand and in mirror writing.”
  • “The more experienced a biologist you become, the longer and harder you look at the complex structures and connections in the biosystem, the stronger your hunch that all animate things cooperate in this growth and bursting, supporting one another. Living organisms give themselves to one another, permit one another to make use of them. If rivalry exists, it is a localised phenomenon, an upsetting of the balance.”
  • “The books set on the shelves show only their spines to people, and it’s as though, thinks Kunicki, you could only see people in profile. They don’t tempt you with their colourful covers, don’t boast with banners on which every word is a superlative; as though being punished, like recruits, they present only their most basic facts: title and author, nothing more.”
  • Message from Polish students traveling to Ireland, written on a air-sickness bag; the narrator wants to find out how it turned out for them. “But I know that writing on bags is something people do only out of anxiety and uncertainty. Neither defeat nor the greatest success are conducive to writing.”

Milkman – Anna Burns, 2018

I first read this in January 2020 for the Irish Writers book group. Burns’ style is fascinating. The narrator has an almost academic reserve. Characters don’t have names and are instead referred to by their roles. We get lists of terms, foods, euphemisms…. The book is very funny and very sad. It’s especially brilliant on the paradoxes and self-cramping of a world of violence – “the man who didn’t love anybody” is the kindest of all.

I re-read it in January 2023 for the Second Monday book group. Now that I had assimilated the style, it didn’t seem as novel; it was great in a different way. But I marked more passages.

In this book I looked up:

  • crombie – three-quarter length wool overcoat
  • Julie Covington, “Only Women Bleed
  • Jeyes Fluid – want to smell it, but it sounds like the odor has changed
  • housey-housey – bingo
  • Bamber the Pig – couldn’t find in 2020, still can’t find!
  • Paris buns
  • wilucs – whelks?

Short quotes

  • “In those days, in that place, violence was everybody’s main gauge for judging those around them”
  • “This would be a nineteenth-century book because I did not like twentieth-century books because I did not like the twentieth century.”
  • “Although I loved running, the monotony of the wheelrun told me I didn’t love it that much” (ie running laps)
  • “you created a political statement everywhere you went, and with everything you did, even if you didn’t want to”
  • Maybe-boyfriend’s decamped parents “had written a note, said the neighbours, but had forgotten to leave it; indeed primarily they had forgotten to write it”
  • “keenness and initiative get stifled here, turned to discouragement, twisted too, into darker channels”
  • “Never did it occur to them that my powers of acuity and deception might have exceeded their own powers of acuity and deception. People can be extraordinarily slipshod whenever already they have made up their minds.”
  • “‘Are you saying it’s okay for him to go around with Semtex but not okay for me to read Jane Eyre in public?’”
  • “‘Have you been fecundated by him? … Imbued by him?’ she elaborated. ‘Engendered in. Breeded in. Fertilised, vexed, embarrassed, sprinkled, caused to feel regret, wished not to have happened – dear God, child, do I have to spell it out?’”
  • “marrying in doubt, marrying in guilt, marrying in regret, in fear, in despair, in blame, also in terrible self-sacrifice was pretty much the unspoken matrimonial requisite here”
  • “how terrifying it was not to be numb, but to be aware, to have facts, retain facts, be present, be adult”
  • “Sister exploded into advanced asterisks, into percentage marks, crossword symbol signs, ampersands, circumflexes, hash keys, dollar signs, all that ‘If You See Kay’ blue french language.”

Longer quotes

I didn’t know whose milkman he was. He wasn’t our milkman. I don’t think he was anybody’s. He didn’t take milk orders. There was no milk about him. He didn’t ever deliver milk. Also, he didn’t drive a milk lorry.

At eighteen I had no proper understanding of the ways that constituted encroachment. I had a feeling for them, an intuition, a sense of repugnance for some situations and some people, but I did not know intuition and repugnance counted, did not know I had a right not to like, not to have to put up with, anybody and everybody coming near.

The banned names were: Nigel, Jason, Jasper, Lance, Percival, Wilbur, Wilfred, Peregrine, Norman, Alf, Reginald, Cedric, Ernest, George, Harvey, Arnold, Wilberine, Tristram, Clive, Eustace, Auberon, Felix, Peverill, Winston, Godfrey, Hector, with Hubert, a cousin of Hector, also not allowed. Nor was Lambert or Lawrence or Howard or the other Laurence or Lionel or Randolph because Randolph was like Cyril which was like Lamont which was like Meredith, Harold, Algernon and Beverley. Myles too, was not allowed. Nor was Evelyn, or Ivor, or Mortimer, or Keith, or Rodney or Roger or Earl of Rupert or Willard or Simon or Sir Mary or Zebedee or Quentin, though maybe now Quentin owing to the filmmaker making good in America that time. Or Albert. Or Troy. Or Barclay. Or Eric. Or Marcus. Or Sefton. Or Marmaduke. Or Greville. Or Edgar because all those names were not allowed. Clifford was another name not allowed. Lesley wasn’t either. Peverill was banned twice.

Mainly though, I could bear it because of the ‘maybe’ level of our relationship, meaning I didn’t officially live with him and wasn’t officially committed to him. If we were in a proper relationship and I did live with him and was officially committed to him, first thing I would have to do would be to leave.

Teacher suggests “sky can be more than blue” (an especially brilliant set-piece):

It was the convention not to admit it, not to accept detail for this type of detail would mean choice and choice would mean responsibility and what if we failed in our responsibility? Failed too, in the interrogation of the consequence of seeing more than we could cope with? Worse, what if it was nice, whatever it was, and we liked it, got used to it, were cheered up by it, came to rely upon it, only for it to go away, or be wrenched away, never to come back again? Better not to have had it in the first place was the prevailing feeling, and that was why blue was the colour for our sky to be.

She meant depressions, for da had had them: big, massive, scudding, whopping, black-cloud, infectious, crow, raven, jackdaw, coffin-upon-coffin, catacomb-upon-catacomb, skeletons-upon-skulls-upon-bones crawling along the ground to the grave type of depressions.

They killed [the dog] because it liked them, because they couldn’t cope with being liked, couldn’t cope with innocence, frankness, openness, with a defencelessness and an affection and purity so pure, so affectionate, that the dog and its qualities had to be done away with. Couldn’t bear it. Had to kill it. Probably they themselves would have viewed this as self-defence. And that was the trouble with the shiny people. Take a whole group of individuals who weren’t shiny, maybe a whole community, a whole nation, or maybe just a statelet immersed long-term on the physical and energetic planes in the dark mental energies; conditioned too, through years of personal and communal suffering, personal and communal history, to be overladen with heaviness and grief and fear and anger – well, these people could not, not at the drop of a hat, be open to any bright shining button of a person stepping into their environment and shining upon them just like that.

And that was why the dogs [IRA soldiers] were necessary. They were important, a balancing act, an interface, a safety buffer against instant, face-to-face, mortal clashes of loathsome and self-loathsome emotions, the very type that erupt in seconds between individuals, between clans, between nations, between sexes, doing irreversible damage all around. To stay it, to evade it, to push away those bad memories, all that pain and history and deterioration of character, you hear the barking, the onset of that savage, tribal barking, and you know then to wait indoors – quarter of an hour thereabouts – to let that soldiery go its way.

I’d assumed that how my face looked, how I was making it look, how I presented it outwardly, was down to me, under the control of me, the ‘I am’ deep in the council chamber. I thought this real me was in there, in charge, hidden from them but directing from the undergrowth. Thought too, I’d chosen a subordinate to assist me and not some rebel to turn tables and override me. That though, was what happened and it happened first with the face.

… my lifelong stubbornness in refusing to tell nosey bastards what it wasn’t their business to hear. ‘Why should I?’ I said. ‘It’s not to do with them and anyway, I haven’t done anything.’ ‘Lots of people haven’t done anything,’ said longest friend. ‘And still they’re not doing it, will always be not doing it, in their private coffins down at the usual place.’

‘Just because I’m outnumbered in my reading-while-walking,’ I said, ‘doesn’t mean I’m wrong. What if one person happened to be sane, longest friend, against a whole background, a race mind, that wasn’t sane, that person would probably be viewed by the mass consciousness as mad – but would that person be mad?’ ‘Yes,’ said friend, ‘if they persisted in their version of life in the stacked-up odds of an opposing world.’

Ordinary murders were eerie, unfathomable, the exact murders that didn’t happen here. People had no idea how to gauge them, how to categorise them, how to begin a discussion on them, and that was because only political murders happened in this place. ‘Political’ of course, covered anything to do with the border, anything that could be construed – even in the slightest, even in the most contorted, even something the rest of the world, if interested, would view as most unlikely – as to do with the border. Any killing other than political and the community was in perplexity, also in anxiety, as to how to proceed.

…kind people here, not used to phones, not trustful of them either, didn’t want to be rude or abrasive by hanging up after just one goodbye in case the other’s leave-taking was still travelling its way, with a delay, over the airwaves towards them. Therefore, owing to phone etiquette, there was lots of ‘’Bye’, ‘’Bye’, ‘Goodbye, son-in-law’, ‘Goodbye, mother-in-law’, ‘Goodbye’, ‘Goodbye’, ‘’Bye’, ‘’Bye’ with each person’s ear still at the earpiece as they bent their body over, inching the receiver ever and ever closer on each goodbye to the rest of the phone. Eventually it would end up back on its hook with the human ear physically removed from it. There might be further insurance goodbyes even at this stage, out of compulsion to seal and make sure the matter, which didn’t mean the person who’d gone through the protractions wasn’t contorted in body and exhausted in mind by the effort of detaching from a phone conversation. What it did mean was that that conversation – without any anxious ‘Did I cut him off? Will he be hurt? Have I hung up too soon and damaged his feelings?’ – had finally reached its traditional end.

‘I’d sit in that chair without complexity, without any sense of consciousness even, that there I was, sitting in it. It was just a chair; not notable to be registered as tormenting to the psyche. I’d lower myself in, then, when done, I’d higher myself out of it. All normal. Not now, daughter. Now, there’s a searing mental pain anytime I have doings with the chair because slightly my rear brushes the armrest of one side as I’m lowering myself in or highering myself out of it, or else my rear brushes similarly the armrest of the other side. These armrests aren’t capable of articulation,’ she stressed. ‘They’re stuck fast to the body because it’s a one-piece chair and of course the chair itself can’t have gotten smaller which means my rear’s gotten bigger but it’s gotten bigger without the concomitant modification to a new way of negotiating furniture and instead is still acting from the retention of the memory of how smaller in the olden days it used to be.’

The Good Soldier – Ford Madox Ford, 1915

This had been on my radar for ages (so much praise for this book!), so I was happy the Second Monday group chose it (and I volunteered to lead the discussion, with questions mostly pulled from BookCompanion). A very interesting book technically, which I admired but didn’t exactly enjoy – as a novel it’s very weird. It’s famous as a showcase for one of the most (and earliest?) unreliable narrators in fiction, who contradicts himself constantly and appears to be unbelievably naïve. Ford repeats certain phrases like “the carefully calculated” or “normal, virtuous, and slightly deceitful” which has a kind of hypnotizing effect. I only have one “in this book I learned”: pococurantism – indifference, nonchalance. Only short quotes, also – which I think is a result of the style of the writing.

  • “the sea sounds in the distance and overhead the great black flood of wind polishes the bright stars”
  • “you, silent listener beyond the hearth-stone” (the reader)
  • “God knows what they wanted with a winter garden in an hotel that is only open from May till October. But there it was.”
  • Doctors who advise that Florence not travel because it “might have effects on Florence’s nerves. That would be enough, that and a conscientious desire to keep our money on the Continent.” (as in The Magic Mountain)
  • “The fellow talked like a cheap novelist. Or like a very good novelist for the matter of that, if it’s the business of a novelist to make you see things clearly.”
  • “In all matrimonial associations there is, I believe, one constant factor—a desire to deceive the person with whom one lives as to some weak spot in one’s character or in one’s career. For it is intolerable to live constantly with one human being who perceives one’s small meannesses.”
  • “Florence was a personality of paper … she represented a real human being with a heart, with feelings, with sympathies and with emotions only as a bank-note represents a certain quantity of gold.”
  • “Here, then, were two noble natures, drifting down life, like fireships afloat on a lagoon and causing miseries, heart-aches, agony of the mind and death. And they themselves steadily deteriorated. And why? For what purpose? To point what lesson? It is all a darkness.”
  • “You see, Leonora and Edward had to talk about something during all these years. You cannot be absolutely dumb when you live with a person unless you are an inhabitant of the North of England or the State of Maine.”
  • “The Hurlbirds were an exceedingly united family—exceedingly united except on one set of points. Each of the three of them had a separate doctor, whom they trusted implicitly—and each had a separate attorney. And each of them distrusted the other’s doctor and the other’s attorney. And, naturally, the doctors and the attorneys warned one all the time—against each other.”
  • “There was upon those people’s faces no expression of any kind whatever. The signal for the train’s departure was a very bright red; that is about as passionate a statement as I can get into that scene.”

Winter – Ali Smith, 2017

Read for Second Monday book group. I loved the Christmas Carol echoes – it starts with “God was dead: to begin with” – but hated the Trumpish end: “You’re going to be saying Merry Christmas again, folks.” And the protagonist Art who writes a column “Art in Nature”… it’s a little on-the-nose. Nonetheless, Smith is always a beautiful writer.

Short quotes

  • “That’s what winter is: an exercise in remembering how to still yourself then how to come pliantly back to life again. An exercise in adapting yourself to whatever frozen or molten state it brings you.”
  • “Then his mother stops speaking and starts humming a tune and Art knows the doors of the reminiscence have closed, as surely as if the Reminiscence is a cinema or a theatre and the show is over, the rows of seats empty, the audience gone home.”

Long quotes

Well, imagine it like this, the optician says. Imagine I’m a car mechanic and someone brings me in a car for a service, and it’s a car from the 1940s, and I lift the lid and find the engine still nearly as clean as when it left the factory floor in (the optician checks her form) 1946, just amazing, a triumph.

You’re saying I’m like an old Triumph, Sophia says.

Good as new, the optician (who clearly has no idea that a Triumph has ever been a car) says.

Those green things, white things, polystyrene. You’re wrong, they’re recyclable. They’re free of whatever it is that’s bad for it. It’s not as bad as you’d think. I quite like them. I do! No, it’s interesting, because, because they’re so amazingly light, so that when you pick them up it’s surprising every time. You always expect them to be heavier. Even if you tell yourself, even though you know they’re light, you think you already know, you pick one up and it’s like, wow that’s so light, it’s like holding actual lightness. It’s, like, the weight of your own hand just somehow got lighter. Like a bird’s bones kind of light. If you pick up several, hold several so your hand’s full of them, you look at your hand loaded with things and your eye can’t understand it because although you can see that your hand’s full of something it feels like almost nothing’s in your hand.

None of these things is happening here. They are all happening far away, elsewhere.

But they may as well be, Iris says. What does here mean anyway, I’d like to know. Everywhere’s a here, isn’t it?

In this book I learned

Pachinko – Min Jin Lee, 2017

I read this in September 2019 and again in September 2022. Posting it as a “quote dump” in November 2022 (backdated to September since that’s when I finished it), part of a new push to get my gazillion draft posts up so they are at least searchable. I may or may not ever come back to turn them into a proper “review,” which isn’t even exactly what I do here… more like an impression?

September 2019: Common Read for Amherst College. Min Jin Lee is the new Writer-in-Residence so I got to attend her talk for the incoming freshmen, which I enjoyed tremendously—more than the novel. I did find it engrossing and interesting, but the writing is a little clunky in parts. My favorite aspect was all the Korean food and culture I got to look up:

  • ponytail radishes – omg there are so many kinds of radishes, but not as diverse as the types of Brassica oleraceae
  • mompei – baggy Japanese work pants often dyed with indigo
  • Koreans having to adopt Japanese surnames
  • We use (store-bought) gochujang to make our own version of bibimbap, but I didn’t know about doenjang
  • jesa – ceremonies honoring deceased ancestors
  • tayaki – fish-shaped waffles – in the US there’s a chain that uses them for soft-serve ice cream, and I’d love to try it! I did, summer 2022 in Boston – more fun than delicious, but glad I had it once
  • gimbap – like Korean sushi
  • noonchi – emotional intelligence, literally “eye-measure” – such a useful term!
  • chima – long billowy skirt
  • cha color” – I guess this is brown, based on this amazing list? Some of those remind me of the neural net color names – a comedy classic!
  • unagiya – eel restaurant – I recently read something about a famous eel restaurant, I think M. Manze, and wish I could remember where I saw the article. It was about how most people who ordered eel didn’t really like it.

Yes, life in Osaka would be difficult, but things would change for the better. They’d make a tasty broth from stones and bitterness.

She would not believe that she was no different than her parents, that seeing him as only Korean—good or bad—was the same as seeing him only as a bad Korean. She could not see his humanity, and Noa realized that this was what he wanted most of all: to be seen as human.

However, she didn’t believe her son had come from a bad seed. The Japanese said the Koreans had too much anger and heat in their blood. Seeds, blood, how could you fight such hopeless ideas? Noa had been a sensitive child who had believed that if he followed all the rules and was the best, then somehow the hostile world would change its mind. His death may have been her fault for having allowed him to believe in such cruel ideals.

Re-read for Second Monday in September, 2022. The last quote above is the only one I marked both times!

  • “For a woman, the man you marry will determine the quality of your life completely. A good man is a decent life, and a bad man is a cursed life.”
  • “You want to see a very bad man? Make an ordinary man successful beyond his imagination.”
  • “Now that he was gone, Sunja held on to her father’s warmth and kind words like polished gems.”
  • “Patriotism is just an idea, so is capitalism or communism. But ideas can make men forget their own interests. And the guys in charge will exploit men who believe in ideas too much.”
  • “At lunchtime, Haruki sat at the end of the long table with two seat gaps around him like an invisible parenthesis while the other boys in their dark woolen uniforms stuck together like a tight row of black corn kernels.”
  • “The fools here have pumpkins for heads, and seeds are not brains.”
  • “Her wet, shining eyes blinked, lit up like lanterns. Her young face shone through the old one.”
  • “It had been eleven years since he’d died; the pain didn’t go away, but its sharp edge had dulled and softened like sea glass.”

Detransition, Baby – Torrey Peters, 2021

Read for Second Monday group. I had heard a lot about this book… I did not love it, but it was both interesting and funny (very dark, though). I very much appreciated that it centered the trans viewpoint, but the behavior of the one cis character wasn’t believable at all.

Short quotes

  • “Danny was a good boyfriend to have when I was younger, when we were in college. Like, in the same way that a Saint Bernard would be a good dog to have if you were lost in the mountains. A big amiable body that a girl could shelter behind.”
  • Ugh but I understand what she’s saying: “His controlling behavior confirmed how badly he wanted her. Anyone who needed her so close, who assumed the right to know where she was at all times, whom she saw, what she wore, was someone who wasn’t going away, someone who could be counted upon, not just despite her trans-ness, but for it.”
  • “the guillotine of sadness would slam down upon her, severing her from her pride”
  • “All my white girlfriends just automatically assume that reproductive rights are about the right to not have children, as if the right and naturalness of motherhood is presumptive. But for lots of other women in this country, the opposite is true. Think about black women, poor women, immigrant women. Think about forced sterilization, about the term ‘welfare queens,’ or ‘anchor babies.’ All of that happened to enforce the idea that not all motherhoods are legitimate.”
  • “According to Reese, units of disappointment should be measured in the difference between a good mango and a bad mango.”
  • “Cream is even less forgiving than white; a single stain on cream and the whole skirt looks vaguely dirty, whereas a single stain on white just looks like a single stain.”
  • “Not a windowpane remains unbroken in the facade, already so vandalized and graffitied that to deface it further would only waste effort, the delinquent equivalent of pissing in the ocean.”
  • Beyond dark to pitch black: “Q: What do you call a remake of a nineties romantic comedy where you cast trans women in all the roles? A: Four Funerals and a Funeral.”

Longer quotes

“What’s a dōTERRA?” Reese asked.

“It’s an essential oil company,” Katrina said. “We’ll have to sit through a presentation, but at the end, I think we make face scrubs.”

This information did not illuminate the situation for Reese. Making face scrubs with a real estate agent? Is this cis culture? What’s next week? Nail art with your financial planner?

…[dōTERRA] targets, with its upscale essential oils, the anxiety of those wellness-obsessed women who are just a little too beholden to middle-class propriety to permit themselves to take up crystals and anti-vaxxing screeds.

How is it, Reese wonders, that a bunch of New York men wearing flannel and slamming whiskey in a cabin is seen as a sorely needed release of their barely tamed and authentic manliness, but when she, a trans, delights in dolling up, she’s trying too hard? It’s not that Reese thinks her desire to dress up reflects some authentic self. It’s just that, unlike bros, she’s willing to call dress-up time what it is.

In this book I learned about

Tinker, Tailor, Soldier, Spy – John Le Carre

A Second Monday selection. I had never read this before and loved it – I went on to watch the 2011 movie and also started the BBC miniseries (which clearly inspired the wonderful Fry & Laurie “Control and Tony” sketches).

I looked up just one thing: hibitane, a brand name for the disinfectant chlorhexidine but genericized.

Short quotes

  • “…the late Mr. Maltby, the pianist who had been called from choir practice to help the police with their inquiries, and as far as anyone knew was helping them to this day, for Maltby’s trunk still lay in the cellar awaiting instructions.”
  • Ricky Tarr: “‘To possess another language is to possess another soul.’ A great king wrote that, sir, Charles the Fifth.” (It’s widely attributed to Charlemagne but I’d love to find an authoritative source).
  • Lacon: “I once heard someone say morality was method. Do you hold with that? I suppose you wouldn’t. You would say that morality was vested in the aim, I expect. Difficult to know what one’s aims are, that’s the trouble, specially if you’re British.”
  • Connie Sachs: “Her formless white face took on the grandmother’s glow of enchanted reminiscence. Her memory was as compendious as her body and surely she loved it more, for she had put everything aside to listen to it: her drink, her cigarette, even for a while Smiley’s passive hand. She sat no longer slouched but strictly, her big head to one side as she dreamily plucked the white wool of her hair.”
  • Connie again: “‘Poor loves.’ She was breathing heavily, not perhaps from any one emotion but from a whole mess of them, washed around in her like mixed drinks. ‘Poor loves. Trained to Empire, trained to rule the waves. All gone. All taken away. Bye-bye, world.’”
  • The Hotel Islay: “The traffic roared past it all night. But the inside, though it was a fire-bowl of clashing wallpapers and copper lampshades, was a place of extraordinary calm.”
  • Control: “a carcass of a man by then, with his lank grey forelock and his smile as warm as a skull.” 
  • Allwyn: “an effeminate Marine who spoke only of weekends. Till Wednesday or so, he spoke of the weekend past; after that he spoke of the weekend to come.”
  • “‘I’m Joy,’ she said, in a theatrical voice, like ‘I’m Virtue’ or ‘I’m Continence.’ It wasn’t his coat she wanted but a kiss. Yielding to it, Guillam inhaled the joint pleasures of Je Reviens and a high concentration of inexpensive sherry.”
  • Mendel to Guillam: “Cheer up, Peter, old son. Jesus Christ only had twelve, you know, and one of them was a double.”
  • “in the hands of politicians grand designs achieve nothing but new forms of the old misery”
  • “I rather like Karla’s description of committees, don’t you? Is it Chinese? A committee is an animal with four back legs.”
  • Guillam when Hayden’s betrayal has sunk in: “Haydon was more than his model, he was his inspiration, the torch-bearer of a certain kind of antiquated romanticism, a notion of English calling which—for the very reason that it was vague and understated and elusive—had made sense of Guillam’s life till now. In that moment, Guillam felt not merely betrayed but orphaned.”
  • “Bill had loved it, too. Smiley didn’t doubt that for a moment. Standing at the middle of a secret stage, playing world against world, hero and playwright in one: oh, Bill had loved that, all right.”

The Dutch House – Ann Patchett, 2019

Read for Second Monday book group. I loved it, not surprisingly as I find Patchett’s writing enchanting (although I threw Bel Canto across the room after reading it because I was so upset by the ending!).

  • “[My sister’s] hair was long and black and as thick as ten horse tails tied together. No amount of brushing ever made it look brushed.”
  • “The linden trees kept us from seeing anything except the linden trees.”
  • “To list the things I didn’t ask my father about would be to list the stars in heaven.”
  • “I thought of them as a single unit: Norma-and-Bright, like an advertising agency consisting of two small girls.”
  • Fluffy, prone to blushing: “This was a woman whose biology betrayed her at every turn. Emotions stormed across her face with a flag.”
  • “Fluffy, who had not stopped talking since I walked in the door, shut down like a mechanical horse in need of another nickel.”
  • “When she walked away, she turned back to look at me so many times she appeared to be going up the sidewalk in a loose series of concentric circles.”
  • “‘You’re picking the woman you like the best from a group of women you don’t like,’ Maeve said. “Your control group is fundamentally flawed.'”
  • “She had so much energy. I had forgotten the way she was in the morning, like each new day came in on a wave she had managed to catch.”
  • “Her wrist looked like ten pencils bundled together.”
  • “Though I had been a doctor for only a short time, I knew the havoc the well could unleash upon the sick.”
  • “Men leave their children all the time and the world celebrates them for it. The Buddha left and Odysseus left and no one gave a shit about their sons. They set out on their noble journeys to do whatever the hell they wanted to do and thousands of years later we’re still singing about it.”

Justine – Lawrence Durrell, 1957

Read for Second Monday book group. I was a huge Gerald Durrell fan as a kid, so I knew that his brother Larry was a writer, and as an adult I suppose the Alexandria Quartet has been on my (very long) TBR list for ages, so I was glad to be pushed to read this, which is the first of the series. But I didn’t much care for it and I will cross the other 3 off my list!

Short quotes

  • “…the graceful curtain breathing softly in that breathless afternoon air like the sail of a ship. How often had we not lain in one another’s arms watching the slow intake and recoil of that transparent piece of bright linen?”
  • “We turned to each other, closing like the two leaves of a door upon the past, shutting out everything”
  • Balthazar says: “when all is said and done, [man is] just a passage for liquids and solids, a pipe of flesh”
  • “Most people lie and let life play upon them like the tepid discharges of a douche-bag.”
  • “a sweetness which a woman can always afford to spend upon the man she does not love”
  • “Father Paul … seemed so profoundly happy a man, folded into his religion like a razor into its case”
  • “the green figs … offer a shade so deep as to be like a wet cloth pressed to the skull”
  • “in the moist gathering darkness the fireflies had begun to snatch fitfully”
  • “Here at least, thought Nessim, building something with my own hands will keep me stable and unreflective — and he studied the horny old hands of the Greek with admiring envy as he thought of the time they had killed for him, of the thinking they had saved him. He read into them years of healthy bodily activity which imprisoned thought, neutralized reflection.”
  • “a thin crust of thunder formed like a scab upon the melodious silence”
  • “carrying her fatigue like a heavy pack”
  • “the pressure of the headlights now peeled off layer after layer of the darkness”

Only long quote is from Nessim’s attack of dreams/illusions:

One afternoon a crumpled sheet began breathing and continued for a space of about half an hour, assuming the shape of the body it covered. One night he woke to the soughing of great wings and saw a bat-like creature with the head of a violin resting upon the bedrail.

Then the counter-agency of the powers of good — a message brought by a ladybird which settled on the notebook in which he was writing; the music of Weber’s Pan played every day between three and four on a piano in an adjoining house. He felt that his mind had become a battle-ground for the forces of good and evil and that his task was to strain every nerve to recognize them, but it was not easy. The phenomenal world had begun to play tricks on him so that his senses were beginning to accuse reality itself of inconsistency. He was in peril of a mental overthrow.

Once his waistcoat started ticking as it hung on the back of a chair, as if inhabited by a colony of foreign heartbeats. …

As he walked the length of the Rue Fuad he felt the entire pavement turn to sponge beneath his feet; he was foundering waist-deep in it before the illusion vanished.

In this book I learned

  • banausic: mundane
  • I couldn’t find the meaning of “conklin-coloured yams.” A Harold Conklin wrote an interesting paper about color categories in a Philippine culture – I was happy to stumble on it, but it was published in 1986 so no possible connection. But Jonathan did some research and this is plausible: Conklin Shows, founded in 1916, used a distinctive bright orange for their railcars and logo. This assumes that Durrell is actually describing sweet potatoes (not yams!), which is also very plausible.