This must be my fourth or fifth time through this wonderful series of novels, but this is my first reading of them on my Sony Reader. It was great to stick all of them in my purse and take them on vacation. Unlike many feather-light comedies, the more I read these the more I relish every word, and I’m always sorry to get to the end. Their appeal is hard to explain; the characters have no redeeming virtues and in fact are snobbish, fake show-offs; the plot incidents are the most trivial possible minutiae of everyday life; there is no real change or growth. But there are hundreds if not thousands of fans who absolutely adore them, and I’m one of them. It’s mostly Benson’s writing, which extracts the maximum comedy and suspense from the tiniest observations. The titles are:
Queen Lucia (1920) – We’re introduced to Lucia as the Queen of Riseholme society–a small British village with Elizabethan architecture, which Lucia and her husband Peppino make the most of (“Perdita’s garden” full of only Shakespearean flowers, smoky fireplaces, tables that are difficult to sit at). Some wonderful episodes, including the stir caused by an imported Guru with whom Lucia’s rival Daisy Quantock tries to outshine her. Lucia’s victories will become even more satisfactory when she encounters a more formidable opponent.
Miss Mapp (1922) – Introduction to Elizabeth Mapp and Tilling society. Similarly, we’re itching for Lucia to get there and the maximum fun to begin, but Captain Puffin and Benjy’s “duel” is one of many delightful scenes.
Lucia in London (1927) – Lucia and Peppino inherit money and Lucia uses it to claw her way up the social ladder in London. Her snobbery and pretension reach their peak. Also features the wonderful Riseholme museum, with an assortment of junk donated by the residents, including mittens which supposedly belonged to Queen Charlotte. (They would have looked like this and not this.) Peppino falls ill at the end and we glimpse Lucia’s better nature for one brief moment.
Mapp and Lucia (1931) – Finally, the two social titans meet when Lucia and Georgie rent houses in Tilling. The irresistible force encounters the immoveable object! In the climactic episode, the two ladies are swept out to sea on a kitchen table and vanish for three months, but the plot point that dwarfs this minor excitement is that Mapp has copied Lucia’s recipe for Lobster à la Riseholme. The psychological warfare over a recipe mattering more than physical jeopardy epitomizes the feel of these books. Perhaps that’s one reason they’re so appealing–it’s a bizarre kind of escapist fantasy…
Lucia’s Progress (1935) (US title: The Worshipful Lucia) – Contains probably the funniest episode of all, when Lucia thinks she’s discovered Roman remains in her garden.
Trouble for Lucia (1939) – More plot than I remembered, with Susan Wyse’s dead parakeet and Major Benjy’s tiger whip popping up in various places throughout the book.
Oh, how I wish there were more of these! Although on principle I hate sequels by different authors cashing in on the originals, perhaps I’ll try to ILL the two Tom Holt follow-ups, which do seem to have a certain credibility among Bensonites.
I am very impressed by this blog.
And I love to see what books this bloggers has been reading.
wow, does she read a lot, or what?
a fan
I read this series years ago and adored it. I was so upset that there were no more. Now I have to look into this Holt thing. I know you wrote this almost a year ago but I just now searched for discussions on the series.
I am reading Dairy of a Provinical Lady by Delafield (not sure of the author but pretty sure ) and that is also pretty good and somewhat similar genre.